It just remains to be seen what the companies want to do with the reboot, and whether audiences who didn’t buy the SilverHawks toys and tune into the show back in 1986 are ready to love it now.
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It seemed just as much an echo of Japanese series like Voltron and Space Battleship Yamato (or Star Blazers in America) as its own unique world.īut that lack of a strong and detailed setting gives Nacelle and Super7 a lot of room to work in terms of updating the series for a more modern audience - there are plenty of intriguingly drawn characters, like the non-verbal alien mime elf Copper Kidd, who could finally get more of a backstory and a world to fit into. As was the case with ThunderCats, there was. It was created as a space-bound cop type show. The animation was provided by Pacific Animation Corporation. which currently own the rights to SilverHawks). Like so many 1980s animated fantasies, it showcases a lot of variety and imagination, and not much depth. SilverHawks was an animated television series developed by Rankin/Bass and distributed by Lorimar-Telepictures in 1986 (since 1989 was purchased by Warner Bros. (At least until ThunderCats’ final era, when the action moved to space.) The backdrop is an entire galaxy, where the SilverHawks face off against a wide variety of weird schemes. SilverHawks always felt much more thematically chaotic, and like it took place in a far larger setting. The original 1980s ThunderCats had a strong backbone in its core Egyptian theme: The villain is a mummy who lives in a pyramid, the heroes are cat-people, and the subsidiary villains are humanoid versions of animals that feature prominently in Egyptian mythology, including jackals, crocodiles, vultures, and monkeys. Much like ThunderCats, the show focused on the heroes’ found-family team dynamics and cooperation as they went up against a deep rogues’ gallery of adversaries themed around animals, robots, music, and a lot more. ThunderCats, hoThunderCats presents the grand origin story of Prince Lion-Os ascension to the throne and those who would thwart his destiny at any cost and takes on epic dimensions in this sharp new telling of the 1980s classic. SilverHawks centers on a group of cyborg space cops, “partly metal, partly real,” fighting the transforming alien mob boss called Mon*Star.
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It could also serve to build a more compelling and fully realized world around what was initially a fairly shallow setup. But just as the 2011 ThunderCats reboot elaborated on the original series’ fantasy setting and added intrigue and deeper character relationships and motivations, a modern SilverHawks reboot has a lot of potential.